According to a top mental health expert, digital technology could be helping contribute to rising suicide rates in the UK.
Suicides in the UK are now at a 16 year high, largely driven by higher rates amongst boys and men, with females under 25 also seeing a major rise.
Shelley Perry, Clinical Director of SEED and Breathe, a charity which treats people with mental health issues and eating disorders said: “There isn’t one issue that’s driving increasing suicide rates, every case is different, but a combination of factors do contribute, meaning people are less resilient to deal with problems.
“In today’s society we have increased loneliness and isolation, which is partially due to a breakdown in community and family units, structures and support mechanisms.
"This is further increasing in the digital age, especially as children younger than ever before now have access to handheld technology such as iPads, which encourages and enables play and time to be spent alone, rather than with other people.
"Furthermore, young people have access to pornography, violence and other content and materials at a much younger age. We have become desensitised to all of these things and yet the psychological impact is enormous.”
According to Shelley, this combined with inadequate and under-resourced mental health and social services, which aren’t able to provide sufficient early intervention for people, means issues are going undiagnosed and people who are having problems simply fall through the net.
Shelley wants to see a marked change to help deal with the rising problems. She said: “It will be difficult to tackle some of the root causes that create depression, but the key is building resilience in people.
"To do that there’s a number of things that can be done from a health service perspective, from working with employers and GPs on identifying people who need support to understanding what treatment and support is available to them.”
Shelley also believes more investment is required to provide therapies and treatment for children, young people and adults.
“At the moment mental health treatment is underfunded and under resourced. External factors influencing the deliverance of services e.g. staffing, funding, number of hospital beds, means that not everybody can be seen and receive appropriate and sufficient help in a timely way to meet the recommendations in the NICE guidelines.
"Plenty of the population have now put their hand up saying they are not mentally well, yet the NHS is unable to meet this demand, therefore, waiting lists are increasing and during this time often an individual's mental health state deteriorates. More investment is needed but the third sector (not for profit organisations and charities) can also help, but we need to work and collaborate together.”
For more details on Breathe Therapies services visit www.breathetherapies.co.uk.
Wednesday, 23 October 2019
Saturday, 21 September 2019
Thursday, 19 September 2019
Thursday, 12 September 2019
Could a touchscreen make you ill?
Touchscreens are a vital part of everyday life.
When we visit the doctor, or a hospital, go shopping, visit a bank or travel, we touch more surfaces than any other generation in history, it's said.
When there are four times as many germs found on a self-service touchscreen than on a toilet seat, it’s no surprise to learn many people are concerned about touching surfaces, and being exposed to a variety of infectious germs like MRSA, E. coli and C. diff.
In a recent consumer survey from nano-technology outfit Kastus, over 70% of respondents reported being fearful of using public touchscreens.
Bank ATMs caused the most concern, with doctor’s surgery and hospital check in screens running a close second. Fast food chain order screens, supermarket self-service tills and airport check-in kiosks were also identified as of concern.
It's claimed that by 2050 antibiotic drug resistant infections will kill an extra 10 million people a year worldwide. That's more than currently die from cancer.
Back in 2015 there were a reported 52,000 cases of superbugs such as MRSA and E. coli and 2,100 deaths in the UK alone with 700,000 deaths, worldwide.
With the WHO reporting that antimicrobial resistance is a serious threat to global health, people are looking to manufacturers to help control the situation, asking for touchscreen and smartphone businesses to introduce an environmentally friendly, scientifically proven solution that would help keep touchscreen surfaces germ-free.
Of those surveyed, in excess of 80% said they'd actively seek out businesses or establishment which offered a touchscreen with an invisible germ-free coating.
Parents also raised concerns over other touchscreens including mobile phones and tablets. Smartphones, carry 10 times more bacteria than the average toilet seat, but an alarming 65% of people surveyed revealed they never clean their mobile phones.
As 90% of respondents with children under 12 regularly share their mobile phones with their children, phone screens are also a key area for manufacturers to look at.
John Browne, founder and CEO of Kastus, said: “Touchscreens and smartphones are an ideal surface for bacteria to reproduce due to the heat they emit, harboring all kinds of germs that can easily thrive in those conditions.
“There is a scientifically proven solution that will help manufacturers protect against the spread of bacteria, we just need to do more to encourage the widespread use of it as it delivers a very real control measure in the fight against antimicrobial infections.”
To find out more about Kastus, visit www.kastus.com
Tuesday, 27 August 2019
Tuesday, 30 July 2019
Monday, 20 May 2019
Tuesday, 7 May 2019
Thursday, 25 April 2019
Tuesday, 23 April 2019
That's Books and Entertainment: The Magpie Effect
That's Books and Entertainment: The Magpie Effect: The Magpie Effect is new guide to help you navigate the twisted and convoluted world of social media. In his book, experienced life coa...
That's Books and Entertainment: The Bone-Setters
That's Books and Entertainment: The Bone-Setters: The Bone-Setters is a very well researched and extremely well written book on the subject of algebra, which is copiously referenced throug...
Thursday, 4 April 2019
Tuesday, 26 March 2019
Wednesday, 6 March 2019
Friday, 22 February 2019
ArtBAB 2019 to showcase VR museum and host cutting-edge conversations about culture and technology
Breaking boundaries in the Middle East, ArtBAB 2019 will push technology to the next level, offering visitors a multi-dimensional experience via its Virtual Reality Corner, the first of its kind in the region.
Partnering with UNFOLD Art XChange, the fair’s diverse talks programme will bring together art foundations, cultural districts and museums with FinTech, Blockchain, AI and VR specialists. Themed ‘Legacies’, the fair will explore the Bahraini contemporary art scene and its foundation in the Kingdom’s rich art heritage.
UNFOLD Art Xchange aims to be one of the largest multicultural art exchanges and its referential art talks platform brings together diverse cultures across local, regional and international art landscapes to share best practices.
Launched in Dubai in 2018, the platform will present its second edition in Bahrain at ArtBAB 2019, under the patronage of Her Royal Highness, Princess Sabeeka Bint Ibrahim Al Khalifa, Wife of His Majesty The King of Bahrain, President Of The Supreme Council for Women, in collaboration with Tamkeen.
Kaneka Subberwal, Fairs and Programme Director of ArtBAB 2019, said: "The art fair’s 2019 edition is an exciting amalgam of Bahraini art and cutting-edge trends which will be discussed at the conference.
"This year, in a first for the region, ArtBAB will take visitors beyond the canvases of the gifted artists of Bahrain and the exhibiting gallerists and take them not just across borders but across time-frames too.
"In our Virtual Reality Corner, the public will be able to have three different VR experiences using Vive Pro Headsets. They can literally ‘touch’ celebrated contemporary Chinese art collections, 17th century Dutch and Flemish masterpieces as well as millennial VR artwork."
Through this incredible Virtual Reality tour, the first VR art exhibition in the Middle East, visitors will be able to enter the private virtual museums of the DSL Collection from Paris, and The Kremer Collection of Amsterdam. Visitors can experience VR works by prominent contemporary artists, shown by Khora Contemporary, the world’s first VR and augmented reality (AR) production house, created as a collaboration between Khora VR and Copenhagen’s Faurschou Foundation.
In its effort to decode the intersection between art, culture and technology, ArtBAB 2019 will host an impressive array of over 40 speakers from 20 countries across the globe through a series of panel discussions, debates and interviews.
These international speakers include the CEO of the West Kowloon Cultural District Authority (WKCD), the Managing Director of the Sheikh Abdullah Al Salem Cultural Centre for Kuwait National Cultural District, the Director of the National Museum of Singapore, the Director of Change Management at London’s University of the Arts, the President EMERI for Christie’s, the Chairman & Co-Founder of MutualArt, as well as the Founder & CEO of Artory, and the Chairman of the Board of TEFAF. The full talks programme and more information on all the speakers is available.
The programme includes several discussions on the impact of technology and how it is disrupting the art economy. BlockchainHub from Berlin will give an overview of Blockchain and how the art world can benefit from it. Also explored will be issues around Blockchain Art Provenance, AI and Artistic Creation, AI and Applied Science and the concept of VR as a game changer for the arts.
The use of AI Innovations for Attribution, Augmented Creativity and Forecasting Art Trends will be uncovered with Verisart London, RunwayML New York, and Thread Genius, an AI SaaS startup based in New York, which was acquired by Sotheby's in early 2018.
ArtBAB will also be hosting a debate on Art & Islamic Finance between Deloitte Art & Finance and Deloitte ME Islamic Finance and Knowledge Centre (IFKC). Other talks will discuss arts philanthropy and arts patronage to empower cultural development in the Arab World, the use of big data and analytics in helping collectors better manage liquidity, risk and volatility, and the growth of cultural and educational districts in building a creative economy.
The fair will also see the return of BAB, the platform to showcase Bahraini artists which this year has attracted more than 100 applicants. Artists will be selected by a curatorial panel consisting of Amal Khalaf (Projects Curator, Serpentine Galleries, London), Nathalie Anglès (Co-founder and Executive Director of Residency Unlimited, New York), Rebecca Anne Proctor (Editor-in-Chief, Harper’s Bazaar Art Arabia) and Snejana Krasteva (Curator, Garage Museum, Moscow).
ArtBAB 2019 will also redefine Bahrain’s rich crafts heritage through a contemporary design exhibit. Visitors can view large modern installations of Bahraini crafts and explore contemporary Bahraini crafts that will present Bahrain as a country which is open to modern thought, without losing the essence of its timeless traditions. This ‘Artisans Across Borders’ initiative will open new creative channels, making the arts and crafts relevant in the new millennium. The project will be headlined by acclaimed Indian fashion designer JJ Valaya, who will work closely with the Bahraini craftspeople.
This fourth edition of ArtBAB aims to reinforce Bahrain’s position in the Gulf as a regional arts hub, inspiring entrepreneurship, art education and local skills development.
The full speaker's programme can be seen here https://www.unfoldbrics.art/bahrain-2019/speakers
Partnering with UNFOLD Art XChange, the fair’s diverse talks programme will bring together art foundations, cultural districts and museums with FinTech, Blockchain, AI and VR specialists. Themed ‘Legacies’, the fair will explore the Bahraini contemporary art scene and its foundation in the Kingdom’s rich art heritage.
UNFOLD Art Xchange aims to be one of the largest multicultural art exchanges and its referential art talks platform brings together diverse cultures across local, regional and international art landscapes to share best practices.
Launched in Dubai in 2018, the platform will present its second edition in Bahrain at ArtBAB 2019, under the patronage of Her Royal Highness, Princess Sabeeka Bint Ibrahim Al Khalifa, Wife of His Majesty The King of Bahrain, President Of The Supreme Council for Women, in collaboration with Tamkeen.
Kaneka Subberwal, Fairs and Programme Director of ArtBAB 2019, said: "The art fair’s 2019 edition is an exciting amalgam of Bahraini art and cutting-edge trends which will be discussed at the conference.
"This year, in a first for the region, ArtBAB will take visitors beyond the canvases of the gifted artists of Bahrain and the exhibiting gallerists and take them not just across borders but across time-frames too.
"In our Virtual Reality Corner, the public will be able to have three different VR experiences using Vive Pro Headsets. They can literally ‘touch’ celebrated contemporary Chinese art collections, 17th century Dutch and Flemish masterpieces as well as millennial VR artwork."
Through this incredible Virtual Reality tour, the first VR art exhibition in the Middle East, visitors will be able to enter the private virtual museums of the DSL Collection from Paris, and The Kremer Collection of Amsterdam. Visitors can experience VR works by prominent contemporary artists, shown by Khora Contemporary, the world’s first VR and augmented reality (AR) production house, created as a collaboration between Khora VR and Copenhagen’s Faurschou Foundation.
In its effort to decode the intersection between art, culture and technology, ArtBAB 2019 will host an impressive array of over 40 speakers from 20 countries across the globe through a series of panel discussions, debates and interviews.
These international speakers include the CEO of the West Kowloon Cultural District Authority (WKCD), the Managing Director of the Sheikh Abdullah Al Salem Cultural Centre for Kuwait National Cultural District, the Director of the National Museum of Singapore, the Director of Change Management at London’s University of the Arts, the President EMERI for Christie’s, the Chairman & Co-Founder of MutualArt, as well as the Founder & CEO of Artory, and the Chairman of the Board of TEFAF. The full talks programme and more information on all the speakers is available.
The programme includes several discussions on the impact of technology and how it is disrupting the art economy. BlockchainHub from Berlin will give an overview of Blockchain and how the art world can benefit from it. Also explored will be issues around Blockchain Art Provenance, AI and Artistic Creation, AI and Applied Science and the concept of VR as a game changer for the arts.
The use of AI Innovations for Attribution, Augmented Creativity and Forecasting Art Trends will be uncovered with Verisart London, RunwayML New York, and Thread Genius, an AI SaaS startup based in New York, which was acquired by Sotheby's in early 2018.
ArtBAB will also be hosting a debate on Art & Islamic Finance between Deloitte Art & Finance and Deloitte ME Islamic Finance and Knowledge Centre (IFKC). Other talks will discuss arts philanthropy and arts patronage to empower cultural development in the Arab World, the use of big data and analytics in helping collectors better manage liquidity, risk and volatility, and the growth of cultural and educational districts in building a creative economy.
The fair will also see the return of BAB, the platform to showcase Bahraini artists which this year has attracted more than 100 applicants. Artists will be selected by a curatorial panel consisting of Amal Khalaf (Projects Curator, Serpentine Galleries, London), Nathalie Anglès (Co-founder and Executive Director of Residency Unlimited, New York), Rebecca Anne Proctor (Editor-in-Chief, Harper’s Bazaar Art Arabia) and Snejana Krasteva (Curator, Garage Museum, Moscow).
ArtBAB 2019 will also redefine Bahrain’s rich crafts heritage through a contemporary design exhibit. Visitors can view large modern installations of Bahraini crafts and explore contemporary Bahraini crafts that will present Bahrain as a country which is open to modern thought, without losing the essence of its timeless traditions. This ‘Artisans Across Borders’ initiative will open new creative channels, making the arts and crafts relevant in the new millennium. The project will be headlined by acclaimed Indian fashion designer JJ Valaya, who will work closely with the Bahraini craftspeople.
This fourth edition of ArtBAB aims to reinforce Bahrain’s position in the Gulf as a regional arts hub, inspiring entrepreneurship, art education and local skills development.
The full speaker's programme can be seen here https://www.unfoldbrics.art/bahrain-2019/speakers
Friday, 15 February 2019
Top Immersive Tech outfit is hiring
Think Laduma, a worldwide Immersive Tech outfit is hiring talent to be based at its UK offices:-
Wednesday, 13 February 2019
Is your tech podcast too long?
You have a high tech product or service to promote so what better way than to produce a podcast?
But this triggers an interesting question. Exactly how long should a podcast be?
At present I have paused a tech podcast. Because the podcast, although filled with interesting subject matter, is over an hour in length.
To presume that people in the tech world have an hour to spend listening to a podcast, an hour taken out of a very busy day, filled with their many other priorities, is, I would argue, a presumption too far.
There are features in the podcast that I am interested in, others that are of very limited relevance to me. But I have to listen to all of them to find the information that will be of benefit to me.
Podcasters, your podcasts are about you, but they shouldn't be all about you. If you see what I mean?
Please respect that the time of your listener is very precious to them. Waste it for them and you risk alienating them and losing them as subscribers.
Would you watch a YouTube video that was over an hour in length? Possibly, but unless the content was of guaranteed interest and of guaranteed value to you, possibly not.
If that's the case, why would you expect someone to listen to your podcast if it is in excess of an hour in length?
Two podcast hints and tips:-
Don't cram multiple subjects into the same podcast, if you can avoid this.
Rather than producing one very long podcast, produce several shorter podcasts, each perhaps featuring a different subject.
But this triggers an interesting question. Exactly how long should a podcast be?
At present I have paused a tech podcast. Because the podcast, although filled with interesting subject matter, is over an hour in length.
To presume that people in the tech world have an hour to spend listening to a podcast, an hour taken out of a very busy day, filled with their many other priorities, is, I would argue, a presumption too far.
There are features in the podcast that I am interested in, others that are of very limited relevance to me. But I have to listen to all of them to find the information that will be of benefit to me.
Podcasters, your podcasts are about you, but they shouldn't be all about you. If you see what I mean?
Please respect that the time of your listener is very precious to them. Waste it for them and you risk alienating them and losing them as subscribers.
Would you watch a YouTube video that was over an hour in length? Possibly, but unless the content was of guaranteed interest and of guaranteed value to you, possibly not.
If that's the case, why would you expect someone to listen to your podcast if it is in excess of an hour in length?
Two podcast hints and tips:-
Don't cram multiple subjects into the same podcast, if you can avoid this.
Rather than producing one very long podcast, produce several shorter podcasts, each perhaps featuring a different subject.
Tuesday, 5 February 2019
Thursday, 10 January 2019
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